Archive
going out summer coming in fall field day 2026 closing it out. two xbox 360s in my trunk.


Join us today for an update on No Other Social Compound operations, No Other Buddy device news, Wavecasting frequency results and of course a delightful ambient mix prepared by our host Dearl Venneder.
Don't forget to secure your spot for the opportunity to realign your frequencies with us by living at the social compound which is located in Tristan da Cunha island.

For the past two years, Dearl Venneder and Becton Sabine have used a proprietary frequency to beam curated sounds from the remote Tristan da Cunha archipelago straight to the listeners of Redux Radio. This month, the show enters an exciting new direction. We are expanding our monthly programming to bring you a closer look at life inside the No Other Social Compound, while continuing our dedication to deep music curation.
In this special debut episode of our new format, we discuss the compound's upcoming expansion, play a hand-picked selection of tracks calibrated to the island's unique resonance, and reveal a major technological breakthrough that will change the way you track your life. We are also joined by a special strategic partner to help us optimize the listener journey.
send inquiries to: dualitihighlife@gmail.com

With the wretched holiday upcoming, and the scent of rotten meat on the friers already teasing our noses, Brumaire reads a somewhat forgetten piece by Lenin addressed to, that's right! Us! AMERIKANS?? Hopefully it can get us thinking, looking at the Soviet example, about what our own revolutionary process will look like.

In this dark moment for transsexuals the world over, Brumaire, in her infinite wisdom, assembles a panel to address several tactical and strategic questions facing the trans community. Tune in, especially if you're trans and worried about what to do next!
April's piece, mentioned on the show: https://reformandrevolution.org/2025/10/16/daughters-of-rabotnitsa-lessons-from-the-russian-revolutionary-womens-movement/ Art by Grace Muchmore





